Oh, you know. A lot of texture. Mixed textiles, thrifted pieces, lots of art. Nothing too matchy-matchy, but still cohesive.
[He talks like someone who has read a lot of books and articles about interior design, because he has. He pauses in his mission to rid the coffee table of its foam and plastic prison to take a drink of his beer.]
Normally I'm not a beer guy, but this isn't bad, actually.
[ This isn't sarcastic, believe it or not. Setting his own beer on his new dining table - what was that about coasters? - he balls up some plastic and freethrows it neatly into the kitchen trash can. He shoots, he scores. ]
So this stuff. What would you call it? Design-wise.
[Tequila if he's in the mood to make bad decisions, but thankfully those days are largely behind him.]
Mmm, most of this I'd call 'mid-century modern', which is wild because we're on a completely different planet. Most of the design here seems stuck firmly in Art Deco, which, don't get me wrong. It has a place. But I'd never do someone's entire place in Art Deco.
[He shrugs, sips his beer.] Looks too matchy-matchy.
[ Mulder, meanwhile, is enough of a lightweight - despite his size - to mostly stick to beer. Gotta be sober or your UFO sighting doesn't count. ]
Interesting. See, when I picture the middle of the twentieth century - that's the one we're talking about, right? - I'm picturing a lot more lamps that look like vases and heavy chintz drapes.
[ Is he describing his childhood home, don't worry about it. ]
Oh, mmhmm, that's the one. [David leans against the still-wrapped sofa.] Hence the addition of modern. In 2016 it's all the range. Clean lines with all the, um, chintz.
[He pats the arm of the sofa.] Ready to move this baby into place?
[ Which is less a commentary on what he thinks of the place, and more the neatness of the numbers - he just showed up from 1996. Whether that's evident is hard to say, though; everything he says sounds deadpan at this point.
Anyway, the couch. He gets to the other side of it. ]
You're making me feel old, Rose. Next thing, you'll tell me you weren't born 'til after the Beatles broke up.
[ The very idea of a velvet couch is baffling to him. He can't bring himself to hate it, if only because it feels great under his hands, but who the hell owns a velvet couch? Outside of great-aunts living in houses too large for them, houses full of the kinds of antiques their relatives don't actually want to inherit. ]
[ He was at Quantico in 1987. He's pretty sure his partner'd already taken Einstein to task for his theory of relativity. Too bad he's from 1996, or he could call Scully a cougar. ]
And the trend you have in mind here is 'I inherited Great-Aunt Minerva's furniture.'
[He's so clever. So very clever. David's heard it all, and it doesn't really faze him anymore. He happens to like his strong brows, thanks very much!]
Well, you're from a time that was tragically lacking in a lot of places, aesthetically speaking, so I can hardly blame you. Would you rather I put in a nice orange plaid sofa? Throw a granny square afghan over the top?
no subject
[He talks like someone who has read a lot of books and articles about interior design, because he has. He pauses in his mission to rid the coffee table of its foam and plastic prison to take a drink of his beer.]
Normally I'm not a beer guy, but this isn't bad, actually.
no subject
[ This isn't sarcastic, believe it or not. Setting his own beer on his new dining table - what was that about coasters? - he balls up some plastic and freethrows it neatly into the kitchen trash can. He shoots, he scores. ]
So this stuff. What would you call it? Design-wise.
no subject
[Tequila if he's in the mood to make bad decisions, but thankfully those days are largely behind him.]
Mmm, most of this I'd call 'mid-century modern', which is wild because we're on a completely different planet. Most of the design here seems stuck firmly in Art Deco, which, don't get me wrong. It has a place. But I'd never do someone's entire place in Art Deco.
[He shrugs, sips his beer.] Looks too matchy-matchy.
no subject
Interesting. See, when I picture the middle of the twentieth century - that's the one we're talking about, right? - I'm picturing a lot more lamps that look like vases and heavy chintz drapes.
[ Is he describing his childhood home, don't worry about it. ]
no subject
[He pats the arm of the sofa.] Ready to move this baby into place?
no subject
[ Which is less a commentary on what he thinks of the place, and more the neatness of the numbers - he just showed up from 1996. Whether that's evident is hard to say, though; everything he says sounds deadpan at this point.
Anyway, the couch. He gets to the other side of it. ]
Okay, which wall?
no subject
[He nods his head toward the space under the window.]
Right over there. One, two, three—
[Thankfully the sofa is not as heavy as it could be. It is, however, upholstered in a very nice taupe-y velvet.]
no subject
[ The very idea of a velvet couch is baffling to him. He can't bring himself to hate it, if only because it feels great under his hands, but who the hell owns a velvet couch? Outside of great-aunts living in houses too large for them, houses full of the kinds of antiques their relatives don't actually want to inherit. ]
These are really 'in' once you hit 2016?
[ He sounds dubious. ]
no subject
[Just a casual namedrop while he relishes making Fox Mulder feel old. David hums thoughtfully.]
Mmm, sort of? But I prefer to dictate trends rather than follow them.
no subject
[ He was at Quantico in 1987. He's pretty sure his partner'd already taken Einstein to task for his theory of relativity. Too bad he's from 1996, or he could call Scully a cougar. ]
And the trend you have in mind here is 'I inherited Great-Aunt Minerva's furniture.'
no subject
[He scowls at the insult to his taste, wrinkling his nose.]
Um, I think you meant to say timeless investment pieces. Which is what they are, thank you.
no subject
[ Lightly said, but all the same, his desire to be nice to Scully's friend (with benefits) is, uh. Waning. ]
Hey, Great-Aunt Minerva's furniture held up, I'm not denying that. I just don't see a lot of velvet, where I'm from.
no subject
[He's so clever. So very clever. David's heard it all, and it doesn't really faze him anymore. He happens to like his strong brows, thanks very much!]
Well, you're from a time that was tragically lacking in a lot of places, aesthetically speaking, so I can hardly blame you. Would you rather I put in a nice orange plaid sofa? Throw a granny square afghan over the top?
[You know, really go full Roseanne on it.]